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Title: Oculus Enoch et Eliae, sive Radius Sideromysticus pars Prima
Format: photograph: negative
Date: 1645
Description: Anton Maria Schyrleus (1597-1660) was a Capuchin priest and professor, who worked in Bohemia, Trier and Ravenna. His astronomical work was completed in the low countries in the 1640s, and resulted in this rather unusual work -- a richly illustrated example of baroque natural philosophy. The Oculus might be considered a mystical work, reflecting the harmonies of an earth-centered, Tychonic cosmos in scriptural terms. The illustrations give a vivid impression of its combination of technical astronomy and mechanics with rich symbolism.

Title: Horse Armoury, Tower
Format: photograph: negative
Date: 1809
Description: Ackermann, R., The Microcosm of London, Vol. III, London 1809-1810 Plate no. 101

Title: Guild Hall - Examination of a Bankrupt before his Creditors, Court of Kings Bench
Format: photograph: negative
Date: 1808
Description: Ackermann, R., The Microcosm of London, Vol. II, London 1809 Plate no. 41

Title: House of Lords
Format: photograph: negative
Date: 1809
Description: Ackermann, R., The Microcosm of London, Vol. II, London 1809 Plate no. 52

Title: Kepler - Title page from De stella nova
Format: photograph: negative
Date: 1606

Title: Royal Institution, Albemarle Street
Format: photograph: negative
Date: 1809
Description: Ackermann, R., The Microcosm of London, Vol. III, London 1809-1810 Plate no. 68

Title: Hand-painted illustration from the autograph album of Johann Jakob Frisch
Format: photograph: negative
Date: 1624
Description: Frisch was a nephew of Johannes Kepler. The album was kept by Frisch while a law student at the University of Tubingen (from 1624 to 1631), where Kepler himself also had studied. Autograph entries are typicaly in Latin, and range from a few lines of verse or prose to elaborate miniature illustrations, comic and serious. Kepler’s autograph is included in the book within a Latin inscription dated 1625.

Title: William Blake’s “Jerusalem,” plate 26
Format: photograph: print
Description: Blake’s last great epic poem was engraved by the author on 100 copper plates. In this image, Jerusalem in the form of a woman appears as an emanation from the male figure representing Albion, variously intepreted as Great Britain or all of humankind. The Archives’copy is number 43 of a limited facsimile edition of 516 prints by the Trianon Press, 1950. George W. Housner book collection.

Title: View of Westminster Hall and Bridge
Format: photograph: negative
Date: 1810
Description: Ackermann, R., The Microcosm of London, Vol. III, London 1809-1810 Plate no. 104

Title: Stamp Office, Somerset House
Format: photograph: negative
Date: 1809
Description: Ackermann, R., The Microcosm of London, Vol. III, London 1809-1810 Plate no. 74

Title: Hevelius with his 140′ telescope
Format: photograph: print
Date: 1673
Description: From Hevelius’ “Machinae Coelestis Pars Prior.” (1673).

Title: Navis
Format: print: engraving
Date: 1603
Description: From Johann Bayer’s “Uranometria” (1603), the first ‘true’ star-atlas. This and other copper-engraved images from the book demonstrate a notable feature of this atlas: the sheer beauty of the plates. Alexander Mair, the artist, clearly found some inspiration in the De Gheyn engravings in the Aratea published by Hugo Grotius in 1600, but most of Bayer’s constellation figures have no known prototype. Significantly, each plate has a carefully engraved grid, so that star positions can be read off to fractions of a degree. These positions were taken, not from Ptolemy’s catalog, but from the catalog of Tycho Brahe, which had circulated in manuscript in the 1590s, yet not printed until 1602. Another important feature of the atlas was the introduction of a new system of stellar nomenclature, Bayer assigning Greek letters to the brighter stars, generally in the order of magnitude.

Title: Otto von Guericke, “Experimenta Nova...” (New Magdeburg Experiments)
Format: photograph: negative
Date: 1672
Description: Illustration showing experiment of the Magdeburg hemispheres in which horses could not pull apart the vacuum created within the hemispheres. Watson Collection, History of Science.

Title: Thomas Burnet - frontispiece to Sacred Theory of the Earth
Format: photograph: negative
Date: 1684
Description: Thomas Burnet was master of Clare Hall, Cambridge, chaplain to King William, and master of Charterhouse. He was also a contemporary of Isaac Newton, who studied Burnet’s works very closely. His Sacred Theory was composed as “an apology for and exposition of the idea of Providence in an age increasingly dominated by mechanism and scepticism.” It proposed that with respect to the most important biblical events - notably Creation, the Flood, and final conflagration - scripture and mechanical philosophy could be reconciled. Burnet also insisted that the colossal scale of Providential superintendence was appropriate to the degradation of mankind’s moral virtue.

Title: Egytpian Hall
Format: photograph: negative
Date: 1809
Description: Ackermann, R., The Microcosm of London, Vol. II, London 1809 Plate no. 51

Title: Title page of Federico Commandino’s Italian translation of Euclid’s Elements
Format: photograph: print
Date: 1575
Description: Commandino, described as the most competent mathematician among all Renaissance translators, produced his Italian text from Greek editions. Italian was the first vernacular language into which Euclid was translated.

Title: Bartholomew Fair
Format: photograph: negative
Date: 1808
Description: Ackermann, R., The Microcosm of London, Vol. I, London 1808 Plate no. 8

Title: Serpentarius
Format: print: engraving
Date: 1603
Description: From Johann Bayer’s “Uranometria” (1603), the first ‘true’ star-atlas. This and other copper-engraved images from the book demonstrate a notable feature of this atlas: the sheer beauty of the plates. Alexander Mair, the artist, clearly found some inspiration in the De Gheyn engravings in the Aratea published by Hugo Grotius in 1600, but most of Bayer’s constellation figures have no known prototype. Significantly, each plate has a carefully engraved grid, so that star positions can be read off to fractions of a degree. These positions were taken, not from Ptolemy’s catalog, but from the catalog of Tycho Brahe, which had circulated in manuscript in the 1590s, yet not printed until 1602. Another important feature of the atlas was the introduction of a new system of stellar nomenclature, Bayer assigning Greek letters to the brighter stars, generally in the order of magnitude.

Title: Old Bailey
Format: photograph: negative
Date: 1809
Description: Ackermann, R., The Microcosm of London, Vol. II, London 1809 Plate no. 58

Title: William Whiston - fig.4 for A New Theory of the Earth (London, 5th edn., 1737)
Format: photograph: negative
Date: 1737
Description: The path of the Earth through the Atmosphere and Tail of a Comet. Newton and Edmond Halley had worked hard to demonstrate that comets were predictable, periodic bodies which therefore could not be used to prognosticate divine interventions in the natural order. Yet they also suggested that comets deposited aethers to revitalize a spiritually depleted Earth. Whiston liked this mixture of close geometrical analysis with divine mechanism, and extended the discussion. He argued that comets had been responsible for key moments in the Earth’s natural and biblical history - for instance, it was a great comet that had caused the Deluge. He even equated comets with Hell: as they moved in their highly eccentric orbits, they alternated between the “Darkness of Torment” and the “ungodly Smoak of Fire.” For Whiston, comets thus became “the place of Punishment for wicked Men after the general Resurrection.”