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Title: Drawing Room, St. James’s
Format: photograph: negative
Date: 1809
Description: Ackermann, R., The Microcosm of London, Vol. III, London 1809-1810 Plate no. 76

Title: Galileo, portrait of three astronomers, frontispiece from Systema Cosmicum, Augustae Treboc. [Strasbourg], 1635
Format: photograph: negative
Date: 1635
Description: In the first Latin edition of the Dialogo, the portrait has been reengraved and significantly altered from the Italian original. Two columns have been added, and above them the curtain with the dedication to Galileo’s patron, the Grand Duke of Tuscany, is held not by Italian putti but by little angels, who also support the Medici crest. The astronomers’ poses are similar to the original, but Copernicus looks out toward the reader and holds his model of the heliocentric system in a more prominent position. The names of the astronomers are engraved in the ground rather than on their garments. The arrow points more clearly to Copernicus. The small stones on the ground, much more than in the Italian version, appear to represent the the configuration of sun and planets.

Title: St. Martins, in the Fields
Format: photograph: negative
Date: 1809
Description: Ackermann, R., The Microcosm of London, Vol. III, London 1809-1810 Plate no. 79

Title: Royal Circus
Format: photograph: negative
Date: 1809
Description: Ackermann, R., The Microcosm of London, Vol. III, London 1809-1810 Plate no. 66

Title: Lambeth Palace
Format: photograph: negative
Date: 1808
Description: Ackermann, R., The Microcosm of London, Vol. II, London 1809 Plate no. 48

Title: Leaden Hall Market
Format: photograph: negative
Date: 1809
Description: Ackermann, R., The Microcosm of London, Vol. II, London 1809 Plate no. 50

Title: St. Paul’s Cathedral
Format: photograph: negative
Date: 1809
Description: Ackermann, R., The Microcosm of London, Vol. III, London 1809-1810 Plate no. 80

Title: Galileo, illustration of the use of the compass, from Le Operazione del Compasso Geometrico et Militare (The Operation of the Geometric and Military Compass), Padua, 1606
Format: photograph: negative
Date: 1606
Description: Galileo designed his geometric and military compass (“compasso geometrico e militare”) in 1597. Known in English as the sector, the compass was widely used until the invention of logarithmic tables. In Galileo’s model, an arc could be inserted between the two arms of the compass to make the instrument into a quadrant. A plumb bob could be attached.

Title: Plate from “Ansei kenbunshi”
Format: photograph: print
Description: Fire following the great earthquake of 1855 near Tokyo (the “Ansei earthquake”). Accounts of the disaster were suppressed by the government, making them today extremely rare. This plate is from “Ansei kenbunshi” (Observations of the Ansei Era), printed in Tokyo, 1856. George W. Housner book collection.

Title: An early observation of weather conditions in Siena
Format: photograph: print
Date: 1798
Description: An early observation of weather conditions at the time of an earthquake in Siena, Italy, May 26, 1798. The published account of this earthquake is one of the first such to adopt an empirical approach to understanding the phenomenon. George W. Housner Rare Book Collection.

Title: Foundling Hospital, The Chapel
Format: photograph: negative
Date: 1808
Description: Ackermann, R., The Microcosm of London, Vol. II, London 1809 Plate no. 37

Title: Court of Common Pleas, Westminister Hall
Format: photograph: negative
Date: 1808
Description: Ackermann, R., The Microcosm of London, Vol. I, London 1808 Plate no. 23

Title: Galileo, title page from Istoria e Dimostrazioni intorno alle Macchie Solari (History and Demonstration concerning Sunspots), Rome,1613
Format: photograph: negative
Date: 1613
Description: With this book, the author proudly announces himself for the first time as “Galileo Galilei Linceo” --a member of the Lincean Academy, to which he had been elected in 1611. The Lincei was one of the first scientific academies and was founded in Rome in 1603 by Duke Federico Cesi. The lynx for which the academy was named was famous for its sharp eyesight and symbolized the ability of the new science to see more deeply into the secrets of nature. It appears on the title page surrounded by a wreath, probably of laurel, and surmounted by a crown, probably that of the Cesi family.

Title: Galileo, the moon from Sidereus Nuncius (The Sidereal Messenger), Venice, 1610
Format: photograph: negative
Date: 1610
Description: An engraved illustration of features of the moon’s surface, as seen by Galileo with his telescope. He was able to describe the roughness of the moon’s surface and the position of spots and prominences on the light and dark sides.

Title: frontispiece: Oculus Enoch et Eliae, sive Radius Sideromysticus pars Prima
Format: photograph: negative
Date: 1645
Description: Anton Maria Schyrleus (1597-1660) was a Capuchin priest and professor, who worked in Bohemia, Trier and Ravenna. His astronomical work was completed in the low countries in the 1640s, and resulted in this rather unusual work -- a richly illustrated example of baroque natural philosophy. The Oculus might be considered a mystical work, reflecting the harmonies of an earth-centered, Tychonic cosmos in scriptural terms. The illustrations give a vivid impression of its combination of technical astronomy and mechanics with rich symbolism.

Title: Galileo, title page from Dialogo...sopra i due Massimi Sistemi del Mondo, Tolemaico, e Copernicano (Dialogue concerning the Two Chief World Systems, the Ptolemaic and the Copernican), Florence, 1632
Format: photograph: negative
Date: 1632
Description: Galileo’s intent with this book was to present the two world systems, the Ptolemaic and the Copernican, in easy to understand, dialogue form. His optimism concerning the acceptance of the Copernican system was misplaced; one year later he was brought to trial and forced to abjure his ideas.

Title: Somerset House, Strand
Format: photograph: negative
Date: 1809
Description: Ackermann, R., The Microcosm of London, Vol. III, London 1809-1810 Plate no. 73

Title: Oculus Enoch et Eliae, sive Radius Sideromysticus pars Prima
Format: photograph: negative
Date: 1645
Description: Anton Maria Schyrleus (1597-1660) was a Capuchin priest and professor, who worked in Bohemia, Trier and Ravenna. His astronomical work was completed in the low countries in the 1640s, and resulted in this rather unusual work -- a richly illustrated example of baroque natural philosophy. The Oculus might be considered a mystical work, reflecting the harmonies of an earth-centered, Tychonic cosmos in scriptural terms. The illustrations give a vivid impression of its combination of technical astronomy and mechanics with rich symbolism.

Title: The Mint
Format: photograph: negative
Date: 1809
Description: Ackermann, R., The Microcosm of London, Vol. II, London 1809 Plate no. 55